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Spiritual Frequency

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Our spiritual frequency is the rate of vibration of our essence on a scale of one to a hundred. Slow frequencies feel steady, stable, or substantial. Fast frequencies feel effervescent, ethereal, or airy. Frequency ranges could be compared to solids, liquids, and gases such as ice, water, and steam. As with male/female energy ratio, the frequencies of my clients, more often than not, are midrange, from about forty to seventy, which suggests that it is more common to be “liquid” than to be “solid” or “gaseous.”

Those with slower spiritual frequencies tend to move through their experiences more slowly and with a greater steadiness than those with faster frequencies. We don’t mean that they are slow in their actions, but that they tend to move through the steps of their lives more slowly, with a definite, regular rhythm. On the other hand, those with rapid frequencies can tend to buzz, so to speak, with an edge and an uneven rhythm. They do not necessarily complete the physical plane more quickly, but they can have the same amount of experience in forty years that a slow-frequency person has in seventy—it is as if their engine runs faster. However, an experience at high frequency is not the same as one at low frequency. Frequency is another characteristic that allows for variety.

You usually feel most comfortable with people whose spiritual frequency is within about twenty points of yours. That puts you, in one sense, “on the same wavelength.”

Priests and artisans tend to have higher frequencies. Kings, scholars, and especially warriors tend to have lower frequencies. Sages and servers can run the gamut. However, each spark is individual and may choose to vibrate at whatever frequency it wishes. Those who differ from the norm can contribute something valuable.

For example, high-frequency priests could be compared to steam that naturally leaves the pot when its lid is removed. They often like to “space out,” dream, or meditate, leaving their bodies a lot. This allows them to connect with the higher elements of life. A relatively low-frequency priest may experience his priestliness in a more grounded and earthy way. Since priests tend to want to get beyond the physical plane, it is good to have some priests who have more natural resonance with it.

Spiritual frequencies and vibrations are permanent for the whole grand cycle. However, you may not always manifest your frequency accurately. Someone who has a slower frequency may have been imprinted as a child to express himself at a higher one, or vice versa. If you are tired or overstimulated, that can affect the frequency you manifest as well.

Body type, role, and overleaves can affect the way frequency appears. For example, my frequency, sixty-four, is above average, but my body type, lunar, is the most passive, calm, and slow-moving of the seven types. Also, neither my role, essence twin role, nor any of my overleaves are on the action axis except my chief feature, impatience. So I tend to move slowly unless I am deliberately doing otherwise (or am impatient). These factors do not modify my frequency itself—my fundamental vibration is still relatively quick and airy—but at first glance, someone might think that my frequency is lower, especially if my normally animated sagely expression is subdued. (The effervescence often associated with sages can be mistaken for high frequency, but sages can be effervescent on a lower musical pitch, so to speak.) On the other hand, if I had a mercurial body type, aggression mode, and so forth, someone might think that my frequency was higher than it is.

High frequency and low male energy (and vice versa) often accompany one another—they balance each other. A person who combines high male energy with the “buzziness” of high frequency can be intense, in the sense that his energy is moving both quickly and outward. I know a sage who has a frequency of eighty-one and seventy-two percent male energy, as well as a goal of dominance, passion mode, skeptic attitude, emotional centering, and a chief feature of impatience. I thought of stamping his chart “Warning—Danger!”

Likewise, people with low frequency and high female energy are often laid back and quiet; their energy, which is moving slowly to begin with, is drawn inward.

No configuration is “good” or “bad.” In fact, there are pros and cons to every configuration of role, overleaves, frequency, and other factors of essence. Each is like a unique color scheme we chose for its unique creative possibilities.

The role itself has a frequency separate from the person’s individual frequency. Artisans and priests are the high-frequency roles. An artisan with a frequency of thirty has a lower pitch, a slower and greater steadiness of vibration, than one with a frequency of seventy-five, but still feels airy compared to any warrior because of his role. However, his personal frequency would make him comfortable with a warrior whose frequency is around thirty, because they vibrate at about the same speed as individuals—they are both relatively “low-key”; the frequency of the role is separate. You might say that every trait described by Michael occupies a separate layer in a person. Referring again to the analogy of overtones, the vibration of one’s role occupies a different octave or “band” in one’s overtone series than the octave where one’s individual frequency vibrates.

The mean frequency among the 1050 essences of the Michael entity is about forty-seven, reflecting the fact the kings and warriors tend to slightly prefer having a lower frequency. However, Michael’s overall cadre, which includes all roles, has a mean frequency of about fifty.

- SHEPHERD HOODWIN

More About Spiritual Frequency

Spiritual frequency measures how fast or slow a person vibrates or hums, how he or she resonates with this planet. Frequency is actually felt out and chosen by the individual essences in the cadre long before role, essence twin or much of anything else is decided upon.

One essence in a devic state (before any incarnations) will be aware it enjoys the quickness of a butterfly or a lightning bolt, while another will appreciate the stillness of a lake or mountain. Michael gauges frequency for humans on a scale of one to one-hundred. A mountain or rock has an exceedingly low frequency, much slower than a person with the impossibly low frequency of one, while a hummingbird's frequency is much higher and buzzier than a person displaying the highest human frequency of one hundred. Golden Meier, a warrior, had a much more solid feel — and lower frequency — than priest Nancy Reagan.

The essence who will become solid roles like Warrior and Scholar tend to prefer the middle or lower frequencies. Those who become the most fluid roles, Artisan and Priest, will usually enjoy the higher frequencies. Servers will tend to prefer the low and middle ranges, while Sages and Kings are found high, low, and in the middle. Life is intricate and complex; no role is always high or always low and there is always somebody who wants to be a wild card and break all the usual "rules."

A Priest with a relatively slow (for priests) frequency of 40 looks far more grounded and stable than a Priest buzzing around with a frequency of 90. People with higher frequencies are often held back by the solidity of the earth plane and greatly enjoy, between lives (and in altered states and dreams), the freedom and quickness of the astral plane. They are the ones who easily fly around in meditation but have difficulty staying in their bodies for day-to-day life.

Those with lower frequencies have a great love and affection for the physical plane, relishing the pleasures to be had here and the "realness" of it all. These people don't partake of such long astral "vacations" between lives and tend to be the ones using many more lives to get through each soul age.

To get a feel for spiritual frequency, put J. Edgar Hoover, L. Ron Hubbard and Grace Jones on one side of your mind and Little Richard, David Bowie and Mathias Rust on the other. How's that balance out? Or try Martin Luther King, Geraldine Ferraro and Charlton Heston on one hand and Woody Allen, Matthew Broderick and Boy George on the other. These people are all at least 40 or below or somewhere over 60, so they are pretty easy to distinguish.

Half of all people choose to have a frequency of 50, nice and average and easy to work with. The experimenters divide themselves equally between lower than 40 and higher than 60 and then spend time each life struggling to get comfortable relating to the frequency range they are not in! People naturally try to match each other's frequencies to balance each other out, or at least get in each other's comfort zone. A person can lower or raise his frequency by 20 points, but even with that, a Little Richard and a J. Edgar Hoover would have a difficult time, politics aside, just having a relaxed conversation. They would perceive the other to be frenzied, overeager and intense or tedious, lumpish and laborious. It's easy for trust issues to pop up between the high and low frequency types

It's also easy for people at the extremes to get sexually attracted to their opposites, to anyone with the flip side of their frequencies. This is one way to balance out, but that doesn't mean the blend is easy. But since when have intimate sexual relationships been about being easy?

Why do essences choose extreme frequencies if that choice makes life difficult? Interesting, intriguing, challenging; those are the reasons that come up. The extremes are insurance against boredom.

Joya Pope