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The Artisan Role The
Artisan Role
+ Creation
– Artifice |
22% of the
population |
Expression |
Ordinal |
- Positive Traits:
Creative, Expressive, Fresh, Imaginative, Inventive, Innovative, Original,
Spontaneous, Stylish
- Negative Traits:
Artificial, Dreamy, Emotional, Flaky, Moody, Picky, Self-Delusional,
Self-Destructive, Skeptical
It is the nature of the Artisan to express
himself through the invention, creation, manufacture, repair, and manipulation
of things. These can be artistic masterpieces, technological crafts, or
mechanical devices. Virtually everything made by man which you see and use is
the work of Artisans. The car you drive, the house you live in, the television
you watch, the telephone you talk on, the clothes you wear, the furniture and
appliances in your home and the decorations also, (the computer I am writing
with!) — these are things that Artisans have invented, designed, drawn plans
for, and built.
Artisans are impelled to make things. They get
restless if they do not create something tangible. It is their nature to produce
physical objects. They generate an idea, and from within themselves they spew it
out into material reality. They take the raw material in their hands and fashion
it into things of beauty or function. Gadgets and gizmos are their stock in
trade.
Artisans Are Multi-Faceted Artisans are interested in how things work. As
children, they often take things apart to see what is inside -- "What makes it tick?"
-- then they put it back together again. They are
good at this and have high "mechanical
aptitudes." But Artisans are so multi-faceted that they can't be
boxed into a single field of expertise. They can be excellent artists,
inventors, musicians, actors, writers, surgeons, architects, interior
decorators, landscapers, or essentially any occupation that generates something new, different, and
unique. They also excel at occupations that involve fixing or manipulating things
that already exist, such as draftsmen, machinists, assemblers, mechanics,
home-builders, construction workers, painters, auto-makers, manufacturers,
repairmen, technicians, electricians, plumbers, carpenters, cabinetmakers, and
so on.
In prehistoric times, Artisans were involved in such ancient arts as
pottery-molding, basket weaving, weapons- and tool-making, cave painting, and
hut-building. In historical times, an Artisan has typically made his livelihood
in such occupations as blacksmith, craftsman, and tradesman — a member of a
guild who passed his skills on to apprentices. There were numerous other cottage
industries, and there was always use for a scribe when not everyone was
literate. Whenever and wherever there is something that needs to be made, there
is an Artisan — ready, willing, and able to make it. And whatever occupation
an Artisan finds himself in, he will always apply a high degree of skill and
expertise to it. Artisans are technicians in whatever they do.
Even if the Artisan does not have an
engineering or technical job, he is likely to express his creative inclination
in his hobby. People who have a workshop in their home are most likely to be
Artisans. They read magazines of applied science like Mechanics Illustrated or
Popular Science. These are the handymen of the world who know how to fix
everything around the house from a leaky faucet to an electrical switch. They
like to work on the car too. Artisans love tools, and are likely to have a lot
of them around. My father, an Artisan, can hardly resist a sale on tools, even
if he doesn't need them. Artisans are good with their hands in using these
tools. In fact, metaphorically speaking, Artisans are the hands of the
body of mankind. They like to manipulate whatever is within hand's reach.
Artisans are very concerned with how one thing
relates to another thing. They see the physical world as parts, working
together. Indeed, they tend to view the entire universe as a giant machine.
Physicists, as a general rule, are Artisans, seeking to understand how the
machinery of the universe works. They analyze matter — take it apart piece by
piece, molecule by molecule, atom by atom, subatomic particle by subatomic
particle. They want to see how it all fits together, and how the parts relate to
each other.
In the highest manifestation of their nature,
the Positive Pole of +Creation, Artisans are inventors and artists. According to
Michael, virtually all the engineering discoveries and artistic masterpieces
down through history have been the work of Artisans. A list of some of these
famous Artisans will demonstrate this. Botticelli, Paul Gaugin, Vincent Van Gogh,
Jean Ingres, and Michelangelo were artist Artisans. Thomas Edison and
Buckminster Fuller were inventor Artisans. Albert Einstein and Isaac Newton were
physicist Artisans. B.F. Skinner also happens to be an Artisan, but he applied
his technical skill to human engineering. He invented the theory of psychology
called Behaviorism, which proposes a mechanistic model of human consciousness
and function.
Self Image Artisans have a certain self-image problem.
They don't want attention on themselves. If they care to be acknowledged or
remembered at all, it is that they want to be considered for their work's sake.
In effect they say, "Here, look at this thing, not at me. See what I made.
I am not of any consequence, except to the extent that I have created this thing
of beauty and usefulness." They live to make something tangible and
permanent which will outlive themselves. Artisans are therefore somewhat shy.
They do not like to attract attention to themselves by being before an audience,
for instance. It is uncomfortable for them to talk about themselves, but they
will talk about their work, their creations. This shyness also means they
tend to be aloof and detached from other people and from the environment. They
tend to feel like strangers and aliens in the world.
This objectivity and mental detachment of
Artisans has its advantages and disadvantages. Their ability to view themselves
as an object of criticism allows them to receive criticism from others without
taking it too personally and getting upset. On the other hand, because of their
sense of separation and indifference, in their worst expression Artisans can be
unperturbed by the thoughts and feelings of other people as they concentrate
their mental energy on the creation or manipulation of inanimate matter. Here is
the manifestation of the "techno-nerd". It is not that they are
unaware of what others think (because they are outwardly focused), but
since they see themselves as detached from others, and as rather insignificant
parts of a huge mechanistic universe, it doesn't matter what others think about
them. This is in contrast to Sages, who are very much concerned to have their
audience appreciate them. Artisans are concerned with the substance rather than
the image of life. This outward focus of attention upon the
physical world also means that Artisans are often unaware of their own inner
workings. They may very well be out of touch with themselves.
The Artisan's Natural
Overleaves Like a person with the
Goal of Discrimination, the Artisan can be rather picky and critical at times,
especially about his own work. He seeks to create something unique, that no one
else has made. He throws away things that do not express his identity purely or
with integrity. As a consequence, Artisans tend to specialize -to come to know
more and more about less and less — rather than generalize. Like a person in
the Caution Mode, an Artisan is meticulous in his work and careful in his
behavior. He is interested in the details of things. Like a person with the
Self-destruction Feature, an Artisan is usually aware of his flaws, and why
invest anything in something as defective as himself? He often neglects himself
as a work of art because his focus of awareness is on the outer world. The
Artisan sees himself as a very little cog in a giant machine. His attention is
focused on the external universe — and look how big the universe is, and how
small he is compared to it. So he thinks of himself as expendable. He derives
his fulfillment from making a significant change in the big universe, or adding
something new to it, even if he has to spend himself to do it. If he expresses
himself Positively, he can be picky about looking clean and neat. If Negatively,
he will be nurdish. Artisans usually dislike spending money on themselves. They
do not often indulge their personal desires. Such expenditure can only be
justified if it also involves a contribution to the universe. Like a
Skeptic, an
Artisan is prone to think that "this (physical universe) is all there
is" — he is prone to believe only what he sees with his own eyes, holds
in his own hands. You have to prove it to him with tangible evidence, scientific
instrumentation, and impeccable logic. Like a person in the Intellectual Center,
an Artisan is primarily mental in nature. He thinks about things a lot, and
everything has to make sense to him in a rational, reasonable way.
Few Artisans are pillars of strength, and even
though they often like to be of help to others, they do not like to be leaned
on. The problem here seems to be that Artisans are themselves somewhat
fragmented, being identified as they are with the Analysis Process. They are
brittle and easily broken, in a manner of speaking, therefore unable to hold
others together. Of the Roles, Artisans have the hardest time "getting
their act together". Consequently, they may not have what it takes to
assist others in integration. Their probable lack of attention to finding out
what methods are suitable for their own well-being contributes to the flaw that
they may not have the solution to the problems of others either. Sometimes this is what a person
needs in the way of help.
Artisans view the world as their model. This
means several things. It means that an Artisan sees the universe as the ultimate
pattern after which he should shape his own created objects. Often an Artisan
will copy something in his arts or engineering that he sees in nature. It also
means that the Artisan views the universe as an object which it is his job to
mold, form, and fashion into a work of beauty or function. This is certainly
something that Artisans do. In another sense, it means that Artisans see
themselves as creations of the universe, rather than creators of themselves.
Sages, on the other hand, are partial to the idea that they create their own
reality, both internal and external, by their imaginations. I believe all the
above are true statements about Artisans.
-- Phil Wittmeyer
Additional
Observations On The Artisan
Spontaneous, innovative,
and imaginative, the prodigious Artisan is not only the most creative
role, but the most eccentric. Viewing life as just one big canvas for
their creative offspring, Artisans can slip into delusional worlds
that bear little resemblance to reality. For this reason, Artisans must
stay grounded in the world and try to avoid this natural penchant for being a
bit scattered.
With five inputs to manage, the
Artisan's focus in the world can be omni-directional, like an oscillating fan
that sends a flow of air in many directions, never diverting its attention for
too long in one spot. This has led more grounded roles to say about the
Artisan: "Is anybody home?" But the sometimes airy,
decentralized demeanor of this fluid role should not so easily be dismissed. Artisans are very clever people who frequently use their talents to excel in the
fields of mathematics, engineering, computer programming, the fine arts,
literature, or quantum physics. In fact, in the school of Philosophy, it
was an Artisan who invented the idea of democracy.
Artisans often possess an
inventive, make-the-most-of-what's-available style of creativity that allows
them to create remarkable things out of a limited amount of resources. If
they metaphorically can't get a table out of their resources, they'll be quite
happy to get a chair, or perhaps a small toy. Artisans also have an innate
curiosity for how things are put together, from the tallest skyscraper to the
sub-atomic particle. And if they aren't applying their expressive
abilities in the sciences or the arts, Artisans can be equally content as master
carpenters, auto mechanics, or in one of the other technical fields. In
the arena of sports, it is also not surprising to discover many great baseball
players are Artisans; the geometric principles of the game seems to fascinate
them.
On an introspective level,
Artisans are often prone to moodiness, and if pushed to the edge, can be the
craziest of all the roles. In a depressed state, an
Artisan in the doldrums can join a gathering of people and be like an ominous cloud that blocks
the sun, leaving everyone affected by the shadow. Conversely, a joyous
Artisan can almost instantly change a roomful of sour dispositions with the
magical quality of a rose that blooms in the snow, altering the ambience of the
room with enthusiasm and good cheer. Artisans literally influence the
ambient area around them, and it seems their creative energy is not only
contained to their inner worlds, but to the outer one as well.
Physically, Artisans are often
described as being "cute" and typically have soft-round faces.
In his book, "The Journey of Your Soul," author Shepherd Hoodwin
describes Artisan females as "adorable or beautiful in a Marilyn Monroe
kind of way", and males are described as being the stereotypical
"pretty boy," rather than the more "rough hewn" kind of male
often associated with the role of the Warrior. Of course, not all
Artisans will be beautiful or even cute, but many of the fashion models
currently enjoying wide spread popularity are indeed Artisans.
Being an Ordinal role, the
Artisan is generally not comfortable in large groups of people, gravitating to
the intimacy of the one-on-one connection.
Artisans greatly value their
alone time, especially when their creative juices flow and there is a new and
exciting project at hand. Artisans love their projects, and these creative
excursions can actually keep them healthy, according to Michael. A bored,
frustrated, or blocked Artisan will always find ways to be creative, even if it
means creating an interesting disease.
Day to day living is often a
bore for the Artisan, who delights in being a connoisseur of anything novel in
life, leaving the monotonous grind of the 9-5 workplace to other roles that
crave the responsibility and inherent demands of such an existence. So fiercely innovative and ahead of their time that they find themselves in
stark contrast with the rest of society, Artisans can feel out of touch with the
world and simply drop out of circulation. Even for Artisans who
contribute and adhere to more productive lifestyles, there's often a random
sense of order in the way they focus on projects, and their world is
usually littered with a confusing array of unfinished projects, sometimes
literally strewn everywhere. Of course, where the Artisan might see this
type of system as being logical and ordered, other roles are often
baffled by this seemingly unordered approach to life.
Whether as artists, writers,
actors, craftsman, engineers, composers, surgeons, carpenters, or philosophers,
Artisans can make almost anything a canvas for their creative explorations, and
in their own unique and inventive way, their expression and creativity makes
the world a more colorful place.
-- David Gregg
Channeling About
The Artisan
Whether a work of art or an innovative idea, Artisans stand
out from the crowd with their ability to grasp the structure of anything set
before them. Structure is the basis for all of creation; nothing exists
without an underlying structure to hold it together. And more than any other
role, Artisans possess an innate talent to recognize the components of
structure, the blueprint for
all that exists.
To the artisan, that which doesn't exist is just a Rubric's
Cube to unlock in the future. Creation is not a magical process that
materializes out of thin air, but a step-by-step schematic that reveals
patterns in the chaos, patterns that the artisan is equipped to see.
The birth of a child, for instance, is not a mysterious sleight
of hand that doctors do just before the infant emerges from the womb, but the
work of a generic blueprint that begins with two cells and ends with the
biological machine known as the human body. Just as there is an underlying
structure to the miracle of life, there is structure in even the most random, seemingly
chaotic aspects of the universe.
Under the influence of Michael math, Artisans energetically
resonate with the number two,
which has a positive pole of stability. Not
surprisingly, Artisans create that stability with a foundation of structure. They paint
with structure; they sculpt with structure; they write with structure, and
even though their creations may appear to come out of nowhere, to an Artisan,
nowhere is the blueprint that eventually creates a post-impressionist painting by Van Gogh, an
experimental novel by Virginia Woolf, or an architectural marvel by Frank Lloyd
Wright. In what appears like a
chaotic process to others, Artisans find patterns in the pandemonium and use
that structure to create something new.
Scholars are also fond of structure, but where structure for
the Artisan might involve playing with the building blocks of a skyscraper
in order to find its stability,
Scholars, figuratively speaking, use structure to "organize" the knowledge stored on the floors of
that building. In other words, Artisans use structure to create; Scholars use
structure to organize.
-- David Gregg
Compatibility
With Other Roles
- Scholar-Artisan: What
these roles share in common is a large capability to do many types of things.
With artisans, it is intrinsic, a natural affinity for fixing, designing, and
making things. For scholars, it more springs out of the knowledge (positive
pole of scholar) that has been gleaned through study. They also share in
common a high ability for design and structure. However, we do not see this as
the best combination for relationships, because both can be isolated or moody
at times; there is not enough overlap between them—they are both just off
doing their “thing,” and their “things” often do not overlap, whereas with two
scholars, their “things” more easily can. Of course, there are many exceptions
to this, but, in general, this is not the strongest combination.
- Server-Artisan: Servers
and artisans are a little better together than scholars and artisans, because
when artisans are off doing their own thing, servers do not usually mind being
temporarily ignored and supporting artisans behind the scenes. This can be
useful if artisans are focused on some intense creativity. Also, artisans may
be inspired to do better work in the creative process by the solid support of
servers.
- Priest-Artisan: This is
a pretty good combination, as long as the artisans are not cynics or skeptics
and do not repel the inspiration of the priests, and as long as priests are
not in zeal (negative pole of priest), their negative pole, trying to shove
something down the artisans’ throats. Like scholars, artisans are pretty
malleable. However, artisans are more changeable, chameleon-like, than
scholars. Under duress, artisans may appear to go along with the priests’
zeal, and then it may be proven out later that the artisans did not really go
along. That can enrage priests; it may seem like a lack of being faithful to
the cause, as with fundamentalist Christians with the role of priest, for
example. Initially, artisans may cave in under duress, and then snap back to
their more natural point of view. They may have been pretending to adopt the
priests’ views, or they may have actually swallowed them for the time being,
but in either case, the priests would see the artisans’ reversion as falsity.
Artisans can provide inspiration for priests, just as the opposite is true,
because artisans can make much beauty for priests, who can be a little
battered by being out there on the spiritual battlefronts, trying to help
people in need. Priests can come home to an inspiring, comforting atmosphere
of beauty provided by artisans, male or female.
- Artisan-Artisan:
Artisans with other artisans can have a great variety of results—anywhere from
very good to very bad. This combination is especially susceptible to the rest
of the overleaves, but more often than not, it works pretty well. Artisans may
not understand each other perfectly, but their lifestyles may meld quite
comfortably because they tend to have a lot of flexibility. Artisans may have
more excitement with warriors, but artisans can be frustrated by warriors’
desire to structure. Artisans often like to live more by the seat of their
pants, improvising as they go along, and generally this will not do for
warriors, so there can be conflict there. Two artisans can be quite
comfortable living in a certain amount of chaos with each other. We do not
mean that artisans are necessarily messier than the other roles; we are just
referring to the way their lives look. Artisans are less likely to have a
“five-year plan,” for example. Artisans can fail to provide other artisans
with what is needed in their relationships. There can be a feeling that one or
both of the partners are neglecting the other because of being wrapped up in
the project at hand. This combination usually works better if there is some
overlap in the projects being worked on. For example, if the husband likes to
work on their house, and the wife chooses colors and wallpaper, they can have
much contentment together. Many artisans like to feel anchored by the people
around them. Generally, other artisans will not provide that, unless they
have, say, a king or warrior essence twin, or perhaps very high male energy.
- Artisan-Sage: Sages can
be anchoring for artisans, and they can have much joy together. Sages are
often able to cultivate the humor in artisans, so that they are truly
playmates. Sages can make it safe for artisans to be more childlike, whereas
artisans may not feel that this is permitted with the other roles, even with
other artisans—artisans may feel that they have to try to be more adult,
because the relationship does not feel very well anchored. Sages, however,
usually have a pretty good grasp on external realities, since they are the
ones who interconnect and communicate with everyone. So with sages, artisans
can feel anchored but at the same time have the ability to express themselves.
Sometimes sages push artisans to bring their creations (positive pole of
artisan)” before the public eye. That can be quite useful for artisans, but it
may also bring up fear, since artisans are generally not as sturdy and do not
feel that they hold up well in the public eye. So there can be a bit of a
push-pull here. There is the need to put forth the artisans’ works, but if
sages push artisans too much, there may be too much fear coming out at once
for artisans to deal with it constructively.
- Artisan-Warrior:
Artisans do not have to deal with that when teamed up with warriors, because
warriors do not seek the public eye that much either, and warriors have more
of a tendency to protect others. They would be protective toward artisans’
sense of vulnerability. Warriors may also offer artisans some useful
discipline, challenging them to complete a project they have been stalling on,
for instance. Warriors tend to be very appreciative of whatever artisans
create. Warriors see what could be useful, how the world could work more
efficiently, but unless it is a matter of simply jury-rigging something, they
are generally not as good at actually coming up with the innovations that
might achieve that. They can be in awe of the way that artisans can, often
effortlessly, come up with new things. On the negative side, warriors can lack
understanding or even be intolerant of artisans’ process. For warriors, life
is a pretty simple business—you do what needs to be done. For artisans, life
is a pretty complex business, and there are many variables to be played with.
Warriors sometimes see artisans as having an “odd logic” that may actually be
quite sound, but warriors do not see how it was arrived at, and therefore may
tend to dismiss it. So the artisan-warrior alliance, which is quite common, is
fraught with mystery for both parties, yet there is an unmistakable
attraction. Warriors like to have someone to protect and to receive their
help, and artisans like to feel that strength, that simplicity. Would you say
that, more than the other roles, warriors equals male, and artisans equals
female? In a sense, yes. These two roles certainly correspond with the male
and female archetypes in this culture. Servers also correspond with the
feminine, but a different aspect of the feminine—more the family-oriented,
reliable, down-to-earth feminine. Of course, king is another side of the
masculine archetype. Kings bring the sense of “the buck stops here,
everything’s all right, I’m in control, leave it to me.” In your culture, that
has been viewed as perhaps the highest manifestation of manhood—that is a much
admired and valued trait in men. It is not surprising that people are becoming
confused now that so many women are warriors and kings, and so many men are
artisans and servers—and this will probably increase. The dynamics still hold
true: warrior wives protect and shelter artisan husbands, even if the husbands
are the main breadwinners and the wives are staying home—the wives still
shelter and protect their husbands from the hurts of the world. The husbands
still balance their wives, giving them a sense of creativity and
unpredictability that is both fascinating and exasperating to warriors, since
warriors tend to be fairly predictable people.
- Artisan-King:
Artisan-king is an unusual combination in terms of mates; it is not so much a
matter of opposites attracting, as with artisan-warrior. Do not take us too
literally or make too much of this generalization, but it can be that because
artisans and kings are so different—not merely opposite—they feel that the
other is from a different planet. There is just not much overlap, whereas
kings and servers can overlap much better because their thrusts are
complementary. Would you say that artisan-king is probably the most polar of
any of the pairings, more than priest-warrior, in the sense of being
nonoverlapping? We would probably agree to that, although it is a close call.
Priests and warriors run into a similar problem, but we would say there is
more attraction between priests and warriors than between artisans and kings.
Artisans and kings do not tend to magnetize each other; they do not tend to
push each other’s buttons that much, either—they just tend to occupy different
realms. Warriors and priests do tend to push each other’s buttons, as do
warriors and artisans. This dynamic is also true internally of kings with
artisan essence twins, and vice versa. These energies combined in the same
person can create a dichotomy, a sense of energies that do not have too much
to do with each other. So let’s say that a king has a discarnate artisan
essence twin and has artisan casting, so he is an “honorary artisan” and has
strong artisan influences; however, his artisan side is like a separate
subpersonality. The exception to this is when seeking mastery (positive pole
of king) in a craft or in any area of technique, such as making or fixing
things. Also, most kings sometimes use artisans as a resource in order to gain
desired mastery, since artisans tend to inherently know how to do many things.
However, kings may be a little exasperated when trying to learn from artisans,
because artisans cannot necessarily teach well, and kings tend to be
impatient—they want to be given steps: one, two, three—”This is what you have
to do to master this.” Nonetheless, kings know that artisans do have the
mastery they seek, and if they are smart, they just watch, observe, and pick
up the desired skill from artisans more intuitively.
-- Shepherd Hoodwin
From "The Journey of Your Soul"
|
Famous Artisans:
Woody Allen, Botticelli, Mariah Carey, Hillary Clinton, Claude Debussy, Princess Diana, Walt
Disney, Albert Einstein, Vincent van Gogh, Michael Jackson,
Scarlett Johannson, Jude Law,
George Lucas,
Michaelangelo,
Claude Monet,
Marilyn Monroe, Natalie Portman,
Elvis Presley, Auguste Renoir,
Julia Roberts, Steven Spielberg, Meryl Streep, Nikola Tesla, Robin Williams, Kate Winslet, Virginia Woolf |
See Pictures
of Artisans at the Role Photo Database
Next
page |
The Sage Role
.....................................................................................................................................
Phil Wittmeyer is a longtime Michael student and scholar of the teachings.
He can be reached at:
wittmeyer@hotmail.com
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